What most of these projects and individual artists have in common is an emphasis on experimentation without the pressure to produce immediately salable artworks, and mutual collaboration to compensate for the absence of major contemporary art institutions offering funding and other support. Instead of formal galleries, they use available free spaces; instead of publishing expensive catalogues, they document their work online; and with no art press to publicise their projects and events, they depend heavily on existing social networks such as Facebook.http://globalvoicesonline.org/2009/07/23/trinidad-and-tobago-online-art-networks/
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